 |
 |
 |
 |
 |
 |
Bibliografía académica
* Carroll, Mary & Jan Ivarsson. 1998. Code of good subtitling practice. Berlin: European Association for Studies in Screen Translation. [+info] [quod vide]
Cerezo Merchán, Beatriz; Irene de Higes Andino; Esteban Galán & Roberto Arnau Roselló. 2017. “Montaje audiovisual e integración de la audiodescripción en la producción documental”. @ inTRAlinea Special Issue. [+info] [quod vide]
Díaz Cintas, Jorge. 2003. Teoría y práctica de la subtitulación: Inglés-Español. Barcelona: Ariel. [+info]
* Díaz Cintas, Jorge & Aline Remael. 2008. Audiovisual translation: Subtitling. London: Routledge. [+info]
Dwyer, Tessa; Claire Perkins; Sean Redmond & Jodi Sita. 2018. Seeing into screens eye tracking and the moving image. London: Bloomsbury. [+info]
D’Ydewalle, Géry & Wim De Bruycker. 2007. “Eye movements of children and adults while reading television subtitles”. @ European Psychologist 12, 196-205. [+info] [quod vide]
Ford Williams, Gareth (2000). Online subtitling editorial guidelines V1.1. London. [+info]
Fox, Wendy. 2018. Can integrated titles improve the viewing experience? Berlin: Translation and Multilingual Natural Language Processing 9, Language Science Press. [+info] [quod vide]
Gottlieb, Henrik. 1994. Tekstning - synkron Billedmedieoversættelse. København: Engelsk Institut. [+info]
Hochberg, Julian & Virginia Brooks. 1978. “Film cutting and visual momentum”. @ Senders, W. J.; D. F. Fisher, & R. A. Monty (eds.) 1978. Eye movements and the higher psychological functions, 293-317. Hillsdale: Lawrence Erlbaum. [+info]
Eisenschitz, Bernard. 2013. “Sous-titrage mon beau souci”. @ Mise au point 5. DOI: https://doi.org/10.4000/map.1481 [+info] [quod vide]
Izard, Natalia. 2001. “Doblaje y subtitulación: una aproximación histórica”. @ Duro Moreno, Miguel (ed.) 2001. La traducción para el doblaje y la subtitulación, 189-209. Madrid: Cátedra. [+info]
Jensema, Carl J.; Sameh El Sharkawy; Ramalinga Sarma Danturthi; Burch, Robert & David Hsu. 2000. “Eye movement patterns of captioned television viewers” @ American Annals of the Deaf 145, 275-285. [+info]
Kapsaskis, Dyonisios. 2019. “Subtitling, interlingual”. @ Baker, Mona & Gabriela Saldanha (eds.) 2019. The Routledge Encyclopedia of Translation Studies, 554-560. London: Routledge. [+info]
* Linde, Zoe de & Neil Kay. 1999. The semiotics of subtitling. Manchester: St. Jerome. [+info]
* MacDougall, David. 1998. “Subtitling Ethnographic Films: Archetypes into Individualities”. @ Visual Anthropology Review 11:1, 83-91. DOI: https://doi.org/10.1525/var.1995.11.1.83. [+info]
McClarty, Rebecca. 2012. “Towards a multidisciplinary approach in creative subtitling”. @ MonTI 4, 133-155. DOI: https://doi.org/10.6035/MonTI.2012.4.6 [+info] [quod vide]
Miquel Iriarte, Marta. 2017. The reception of subtitling for the deaf and hard of hearing: Viewers’ hearing and communication profile and speed of subtitling exposure. Unpublished PhD thesis. Bellaterra: Universitat Autònoma de Barcelona. [+info] [quod vide]
[n.n.] (Netflix). 2020. Timed text style guide: General requirements. Netflix Website. [+info] [quod vide]
* Nornes, Abe Mark. 2007. Cinema babel: Translating global cinema. Minnesota: University of Minnesota. [+info]
O’Sullivan, Carole & Jean-François Cornu. 2018. “History of audiovisual translation”. @ Pérez-González, Luis (ed.) 2018. The Routledge Handbook of Audiovisual Translation, 15-31. London: Routledge. [+info]
Pedersen, Jan. 2018. “From old tricks to Netflix: How local are interlingual subtitling norms for streamed television?”. @ Journal of Audiovisual Translation 1/1, 81-100. [+info] [quod vide]
Perego, Elisa; Fabio Del Missier; Marco Porta & Mauro Mosconi. 2010. “The cognitive effectiveness of subtitle processing”. @ Media Psychology 13, 243-272. [+info]
Pérez-González, Luis. 2018. The Routledge handbook of audiovisual translation. London: Routledge. [+info]
Rayner, Keith & Alexander Pollatsek. 1989. The psychology of reading. Englewood Cliffs: Prentice-Hall. [+info]
Romero-Fresco, Pablo. 2013. “Accessible filmmaking: Joining the dots between audiovisual translation, accessibility and filmmaking”. @ Journal of Specialized Translation 20, 201-223. [+info] [quod vide]
Romero-Fresco, Pablo. 2015. The reception of subtitles for the deaf and hard of hearing in Europe. Bern: Peter Lang. [+info]
Romero-Fresco, Pablo. 2017. “Accessible filmmaking in documentaries”. @ inTRAlinea, Special issue Building Bridges between Film Studies and Translation Studies. [+info] [quod vide]
Romero-Fresco, Pablo. 2018. “Eye-tracking, subtitling and accessible filmmaking”. @ Dwyer, Tessa; Claire Perkins; Sean Redmond & Jodi Sita (eds.) 2018. Seeing into screens eye tracking and the moving image, 235-258. London: Bloomsbury. [+info] [quod vide]
* Romero-Fresco, Pablo. 2019. Accessible Filmmaking: Integrating translation and accessibility into the filmmaking process. London: Routledge. [+info]
Romero-Fresco, Pablo & Carlo Eugeni. 2020. “Live Subtitling Through Respeaking”. @ Bogucki, Łukasz &Mikołaj Deckert. 2020. The Palgrave Handbook of Audiovisual Translation and Media Accessibility, 269-297. Cham: Palgrave. DOI: https://doi.org/10.1007/978-3-030-42105-2_14 [+info]
Romero-Fresco, Pablo & Louise Fryer. 2019. Accessible filmmaking guide. London: Archer’s Mark. [+info]
Smith, Tim. 2013. “Watching you watch movies: Using eye tracking to inform cognitive film theory”. @ Shimamura, Arthur P. (ed.) 2013. Psychocinematics: Exploring cognition at the movies, 165-191. New York: Oxford University Press. [+info]
Szarkowska, Agnieszka. 2016. “Subtitle presentation times and line breaks in interlingual subtitling”. @ Paper presented at 2016 languages and the media conference. Berlin. [+info] [quod vide]
Zanotti, Serenella. 2019 “Investigating the genesis of translated films: A view from the Stanley Kubrick Archive”. @ Perspectives 27/3, 1-17. DOI: https://doi.org/10.1080/0907676X.2018.1490784 [+info]
Filmografía
Allen, Woody. 1977. Annie Hall. United States: United Artists. [+info]
Boyle, Danny. 2008. Slumdog millionaire. United States: Fox Searchlight Pictures. [+info]
Ritchie, Guy. 2012. Sherlock Holmes: A game of shadows. United States: Warner Bros. [+info]
Romero-Fresco, Pablo. 2012. Joining the dots. United Kingdom: Sunday Films. [+info] [quod vide]
Tarantino, Quentin. 1992. Reservoir dogs. United States: Miramax Films. [+info]
.