Saltar la navegación

Referencias

página de inicio ayuda (guía de consulta) buscar descargar (pdf) imprimir broken link

 

 

*Aaltonen, Sirkku. 2000. Time-Sharing on Stage. Drama Translation in Society. Clevedon: Multilingual Matters. ISBN: 1853594709. [+info]

Baines, Roger; Cristina Marinetti & Manuela Perteghella (eds.) 2011. Staging and performing translation: text and theatre practice. London: Palgrave Macmillan. ISBN: 9780230294608. [+info]

Barthes, Roland. 1964. Essais critiques. Paris: Seuil, 1971. ISBN: 202005809X. [+info]

Bassnett, Susan. 1980. Translation Studies. London: Routledge, 1988. [+info]

Bassnett, Susan. 1991. “Translating for the theatre: the case against performability”. @ TTR 4/1, 99-111. [+info] [quod vide]

*Bigliazzi, Silvia; Paola Ambrosi & Peter Kofler (eds.) 2013. Theatre translation in performance. London: Routledge.  DOI: https://doi.org/10.4324/9780203073506 [+info]

Braga Riera, Jorge. 2011. “¿Traducción, adaptación o versión?: maremágnum terminológico en el ámbito de la traducción dramática”. @ Estudios 1, 59-72. DOI:  https://doi.org/10.5209/rev_ESTR.2011.v1.36477 [+info] [quod vide]

*Brodie, Geraldine. 2018. The Translator on Stage. New York: Bloomsbury. ISBN: 9781501322105. [+info]

Carlson, Marvin. 2006. Speaking in tongues: Languages at Play in the Theatre. Ann Arbor: University of Michigan. ISBN: 0472115472. [+info]

Cole, Emma & Geraldine Brodie (eds.) 2017. Adapting Translation for the Stage. London: Routledge. DOI: https://doi.org/10.4324/9781315436814 [+info]

Elam, Keir. 1980. The Semiotics of Theatre and Drama. London: Methuen. ISBN: 0415039843. [+info]

*Espasa, Eva. 2001. La traducció dalt de l’escenari. Vic: Eumo. ISBN: 9788476028353. [+info]

Espasa, Eva. 2009. “Repensar la representabilidad”. @ TRANS 13, 95-105.   DOI: https://doi.org/10.24310/TRANS.2009.v0i13.3158 [+info] [quod vide]

* Espasa, Eva. 2013. “Stage Translation”. @ Millán-Varela, Carmen & Francesca Bartrina, (eds.) 2013. The Routledge Handbook of Translation Studies, 317-331. London: Routledge. ISBN: 9781138211469. [+info]

Espasa, Eva. 2017. “Adapting –and Accessing– Translation for the Stage”. @ Cole, Emma & Geraldine Brodie (eds.) 2017. Adapting Translation for the Stage, 289-299. London: Routledge.  DOI: https://doi.org/10.4324/9781315436814 [+info]

Espasa, Eva. Forthcoming. “Musical translation and its multiple challenges”. @ Gordon, Robert & Olaf Jubin (eds.) Forthcoming. The Oxford Handbook of the Global Stage Musical. Oxford: Oxford University Press. ISBN: 9780190909734.

*Ezpeleta Piorno, Pilar. 2007. Teatro y traducción. Aproximación interdisciplinaria desde la obra de Shakespeare. Madrid: Cátedra. ISBN: 8437624274. [+info]

* Ezpeleta Piorno, Pilar (ed.) 2009. De la traducción teatral. Special dossier of TRANS 13. [+info] [quod vide]

Fryer, Louise. 2016. An Introduction to Audio Description: A Practical Guide. London: Routledge. ISBN: 9781138848177. [+info]

Griesel, Yvonne. 2009. “Surtitling: Surtitles an other hybrid on a hybrid stage”. @ TRANS 13, 119-127. DOI: https://doi.org/10.24310/TRANS.2009.v0i13.3160 [+info] [quod vide]

Holland, Andrew. 2009. “Audio description in the theatre and the visual arts: images into words”. @ Díaz-Cintas, Jorge & Gunilla Anderman (eds.) 2009. Audiovisual Translation, 170-185. London: Palgrave Macmillan. ISBN: 9780230234581. [+info]

Hutchinson, Rachel; Hannah Thompson & Matthew Cock. 2020. Describing Diversity: An exploration of the description of human characteristics and appearance within the practice of theatre audio description. London: VocalEyes. [+info] [quod vide]

*Johnston, David (ed.) 1996. Stages of Translation. Bath: Absolute Press. ISBN: 9780948230752. [+info]

Low, Peter. 2017. Translating Song: Lyrics and Text. London: Routledge. DOI:10.4324/9781315630281. [+info]

Marinetti, Cristina. 2013. “Transnational, Multilingual, and Post-dramatic: Rethinking the Location of Translation in Contemporary Theatre”. @ Bigliazzi, Silvia; Paola Ambrosi & Peter Kofler. (eds.) 2013. Theatre Translation in Performance, 27-37. New York: Routledge. DOI: https://doi.org/10.4324/9780203073506 [+info]

*Mateo, Marta. 1995. “Constraints and Possibilities of Performance Elements in Drama Translation”. @ Perspectives 3/1, 21-23. DOI: 10.1080/0907676X.1995.9961246 [+info]

Mateo, Marta. 2007. “Surtitling today: new uses, attitudes and developments”. @ Linguistica Antverpiensia 6, 135-154. [+info] [quod vide]

Mateo, Marta. 2008. “Anglo-American Musicals in Spanish Theatres”. @ The Translator 14/2, 319-342. DOI: https://doi.org/10.1080/13556509.2008.10799261 [+info]

Mateo, Marta. 2019. “Multilingualism in Stage and Film Musicals: Varying Choices in Various Translation Modes and Contexts”. @ Corrius, Montse; Eva Espasa & Patrick Zabalbeascoa (eds.) 2019. Translating Audiovisuals in a Kaleidoscope of Languages, 23-45. Berlin: Peter Lang. DOI: https://doi.org/10.3726/b16686 [+info]

McDonald, Alex. 2012. “The in-vision sign language interpreter in British television drama”. @ Remael, Aline; Pilar Orero & Mary Carroll (eds.) 2012. Audiovisual Translation and Media Accessibility at the Crossroads, 189-205. Amsterdam: Rodopi. [+info]

Oncins, Estella. 2015. “The tyranny of the tool: surtitling live performances”. @ Perspectives 23/1, 42-61. DOI: 10.1080/0907676X.2013.793374 [+info] [quod vide]

Orero, Pilar; Joan Bestard; Miquel Edo; Gonzalo Iturregui-Gallardo; Anna Matamala & Iris Cristina Permuy Hércules de Solás. 2019. “Opera accessibility in the 21st century: news services, new possibilities”. @ TRANS 23, 245-256. [+info] [quod vide]

Pavis, Patrice. 1998. Diccionario del teatro: Dramaturgia, estética, semiótica. Barcelona: Paidos. Traducción de J. Melendres. ISBN: 8449306361. [+info]

Perteghella, Manuela. 2004. “A Descriptive-Anthropological Model of Theatre Translation”. @ Coelsch-Foisner, Sabine & Holger M. Klein (eds.) 2004. Drama Translation and Theatre Practice, 1-23. Frankfurt: Peter Lang. ISBN: 9780820464299. [+info]

Rocks, Siobhán. 2019. A Method for the Analysis of British Sign Language Interpreted Theatrical Texts. PhD thesis. Leeds: University of Leeds. [+info] [quod vide]

Ruiz, Belén; Iratxe Quintana; Ángel García Crespo; Mercedes de Castro; Mónica Souto; Israel González; José Luis López; Javier Heredia & José Manuel Sánchez. 2013. Guía de accesibilidad al teatro a través del subtitulado y la audiodescripción. Madrid: Real Patronato sobre Discapacidad. [+info] [quod vide]

SV Flys, Elena. 2013. Comunicación y discapacidad sensorial: elaboración y análisis de una propuesta teatral accesible a todos. PhD thesis. Alcalá de Henares: Universidad de Alcalá. [+info] [quod vide]

Udo, John-Patrick & Deborah I. Fels. 2010. “Universal design on stage: live audio description for theatrical performances”. Perspectives 18/3, 189-203. DOI: 10.1080/0907676X.2010.485683 [+info]